Jesus Christ Superstar Live In Concert Download Mp4
| Jesus Christ Superstar | |
|---|---|
 Album comprehend for the 1970 American release of Jesus Christ Superstar | |
| Music | Andrew Lloyd Webber |
| Lyrics | Tim Rice |
| Premiere | 12 October 1971 (1971-ten-12): Marker Hellinger Theatre |
| Productions |
|
Jesus Christ Superstar is a sung-through stone opera with music by Andrew Lloyd Webber and lyrics past Tim Rice. Loosely based on the Gospels' accounts of the Passion, the piece of work interprets the psychology of Jesus and other characters, with much of the plot centered on Judas, who is dissatisfied with the direction in which Jesus is steering his disciples. Contemporary attitudes, sensibilities and slang pervade the rock opera's lyrics, and ironic allusions to modern life are scattered throughout the depiction of political events. Stage and movie productions accordingly contain many intentional anachronisms.
Initially unable to become backing for a phase production, the composers released it equally a concept album, the success of which led to the bear witness'south Broadway on-phase debut in 1971. By 1980, the musical had grossed more than than $237 meg worldwide.[1] Running for over eight years in London between 1972 and 1980, information technology held the record for longest-running West Terminate musical before it was overtaken by Cats in 1989.[2]
Plot [edit]
Act I [edit]
Judas Iscariot, one of the Twelve Apostles, worries that the followers of Jesus are getting out of control and may be seen as a threat by the Roman Empire, who might harshly suppress them ("Heaven on Their Minds").
The other apostles conceptualize going to Jerusalem with Jesus and ask him nearly his plans, simply Jesus tells them not to worry about the futurity ("What'south the Fizz"). Mary Magdalene tries to assistance Jesus relax. Judas tells Jesus that he should non associate with Mary, because a relationship with a sex-worker could be seen every bit inconsistent with his ain teachings and be used against him ("Strange Thing Mystifying"). Jesus tells Judas that he should not estimate others unless he is without sin. Jesus then reproaches the apostles and complains that none of them truly cares about him. Mary Magdalene tries to reassure Jesus while anointing him with oil ("Everything's Alright"). Judas angrily says that the money spent on oil should take been used to help the poor. Jesus answers that they practise non have the resource to end poverty, and that they should be glad for what comforts they accept.
Meanwhile, Caiaphas, the High Priest of Israel, assembles the Pharisees and priests. Like Judas they fear that Jesus's followers will be seen as a threat past the Romans, and that many Jews might suffer the consequences. Caiaphas concludes that for the greater proficient, Jesus must be killed ("This Jesus Must Dice"). Every bit Jesus and his followers make it exultantly in Jerusalem, they are confronted past Caiaphas, who demands that Jesus disperse the crowd. Jesus instead greets the happy crowd ("Hosanna"). So Simon the Zealot suggests that Jesus atomic number 82 his mob in a war against Rome and proceeds absolute ability. Jesus rejects this, stating that none of his followers understand what true power is ("Simon Zealotes/Poor Jerusalem").
Pontius Pilate, the governor of Judea, has a dream in which he meets a Galilean and so receives the blame for the man's violent death at the hands of a mob ("Pilate'southward Dream"). Jesus arrives at the Temple and finds that information technology is being used as a market place; angered by this, he drives everyone out ("The Temple"). A group of lepers inquire Jesus to heal them. Their number increases, and overwhelmed, Jesus rejects them. Mary Magdalene sings him to sleep ("Everything'southward Alright (Reprise)"). While he sleeps, Mary acknowledges that she is in love with him, and it frightens her ("I Don't Know How to Love Him").
Conflicted, Judas seeks out the Pharisees and proposes helping them arrest Jesus, assertive that Jesus is out of control and that Jesus himself would approve of his action. In commutation for his assistance, Judas is offered xxx pieces of silver. Judas initially refuses, so accepts when Caiaphas suggests that he tin utilise the money to help the poor ("Damned for All Fourth dimension/Blood Money").
Act II [edit]
Jesus shares a Passover meal with his disciples, where they get drunkard and pay little attending to him. He remarks that "for all yous care" the wine they are drinking could be his claret and the bread his body. He asks them to remember him, then frustrated past their lack of understanding, he predicts that Peter will deny him iii times that dark, and that some other one of them will betray him. Judas admits that he is the one who will betray Jesus and, proverb that he does non understand why Jesus did not plan things better, leaves ("The Last Supper").
The remaining apostles fall asleep, and Jesus retreats to the Garden of Gethsemane to pray ("Gethsemane (I Only Want to Say)"). He tells God his doubts about whether his mission has had whatsoever success, and angrily demands to know why he should go on and suffer the horrible decease that awaits him. Receiving no respond, he realises that he cannot defy God's will, and surrenders to God.
Judas arrives with Roman soldiers and identifies Jesus by kissing him on the cheek ("The Abort"). When Jesus is brought to trial before the Sanhedrin, Caiaphas demands to know if he calls himself the Son of God, and Jesus responds merely "That's what you say". Annas says that this is sufficient evidence and Caiaphas sends him to Pilate. Meanwhile, Peter is confronted by iii people, to whom he denies that he knows Jesus ("Peter's Deprival"). Mary observes that Jesus had predicted this.
Pilate asks Jesus if he is the King of the Jews. Jesus again answers "That's what you say". Since Jesus is from Galilee, Pilate says that he is not under his jurisdiction and sends him to King Herod ("Pilate and Christ"). The flamboyant Rex Herod asks Jesus to show his divinity by performing miracles ("Male monarch Herod's Vocal"), but Jesus ignores him. Herod angrily sends him dorsum to Pilate. Mary Magdalene, Peter, and the apostles call back when they start began post-obit Jesus, and wish that they could return to a time of peace ("Could We Start Over again, Please?").
Judas is horrified at Jesus' harsh treatment. He expresses regret to the Pharisees, fearing that he will forever be remembered as a traitor. Caiaphas and Annas assure him that he has done the right matter. Judas throws down the money he was given and storms out. He curses God for manipulating him, and commits suicide ("Judas'south Death").
At Jesus's trial, Pilate attempts to interrogate Jesus, but is cut off by a bloodthirsty mob which demands that Jesus be crucified.[a] He tells the mob that Jesus has committed no offense and does not deserve to die, but to satisfy the mob he volition take Jesus flogged ("Trial Before Pilate"). Pilate pleads with Jesus to defend himself, but Jesus says weakly that everything has been adamant by God. The crowd still calls for Jesus'south death and finally Pilate reluctantly agrees to crucify Jesus.
As Jesus awaits crucifixion, the spirit of Judas returns and questions why Jesus chose to arrive in the mode and fourth dimension that he did, and if it was all function of a divine plan ("Superstar"). Jesus is crucified, recites his final words and dies ("The Crucifixion"). Jesus' body is taken downwardly from the cross and then cached into a virtually cave to the mountain where he died ("John Nineteen: Xl-One").
Principal roles [edit]
| Graphic symbol | Vox blazon | Description |
|---|---|---|
| Jesus Christ | tenor (A2–G5) | Championship role, leader of the twelve disciples, called the "Son of God" and the "King of the Jews." |
| Judas Iscariot | tenor (D3–D5) | One of Jesus' twelve apostles; concerned for the poor and the consequences of Jesus'southward fame. |
| Mary Magdalene | mezzo-soprano (F3–E ♭ v) | A female follower of Jesus who finds herself falling in love with him. |
| Pontius Pilate | baritenor (A2–B ♭ 4) | Governor of Judea who foresees the events of Jesus's crucifixion from outset to backwash in a dream and finds himself being presented with that very state of affairs. |
| Caiaphas | bass (C ♯ 2–F4) | Loftier priest who sees Jesus equally a threat to the nation. |
| Annas | countertenor (G2–D5) | Fellow priest at the side of Caiaphas who is persuaded by Caiaphas into seeing Jesus as a threat. |
| Peter | baritone (A2–G4) | One of Jesus's twelve apostles; denies Jesus iii times upon the night of Jesus's arrest to save himself. |
| Simon Zealotes | tenor (G3–B4) | One of Jesus's twelve apostles; urges Jesus to lead his followers into battle against the Romans. |
| King Herod | baritone (C ♯ 3–G4) | The King of Galilee; Jesus is brought to him for judgment after showtime being taken to Pilate. |
Musical numbers [edit]
| Act Ane
| Act Two
|
Production [edit]
The songs were written and conceived as an anthology musical, before the musical was created and staged.[3] On the original album, the part of Jesus was sung by Ian Gillan, with Murray Head as Judas, Michael d'Abo every bit Rex Herod, Yvonne Elliman as Mary Magdalene, and Barry Dennen as Pilate. In July 1971, the first authorised American concert of the stone opera took identify in front of an audience of 13,000 people at Pittsburgh, Pennsylvania'south Civic Loonshit with Jeff Fenholt singing the role of Jesus, Carl Anderson as Judas and Elliman repeating equally Mary Magdalene.[four]
In Baronial 1971, MCA Records executive David Skepner reported that MCA had been investigating and shutting down 21 unauthorised productions in the U.s. to protect the rights of London-based Leeds Music who owned the musical. The biggest violations Skepner found were a theatre troupe from Toronto that had crossed the US–Canada border to perform with the Detroit Symphony Orchestra, with only a few hours prior announcement, and another big product mounted by the Las Vegas Hilton. Other American cities with unauthorised productions included Washington D.C., Boston, Kansas City, Baltimore, San Francisco, Cincinnati, Richmond, Louisville, Cleveland, St. Louis, Memphis, Atlanta, Columbus, Troy, Philadelphia, Los Angeles, New Orleans, Brooklyn in New York Metropolis and Hollywood, Florida. Court injunctions were obtained in each of these cities to close the shows. Producer Robert Stigwood, who was assembling an authorised touring company, called these unsanctioned groups "outright pirates", stressing that he would continue to protect his rights by "relentlessly" pursuing legal action.[v]
Original Broadway production [edit]
The musical opened on Broadway on 12 Oct 1971, directed by Tom O'Horgan, at the Mark Hellinger Theatre. Information technology starred Jeff Fenholt every bit Jesus, Ben Vereen as Judas and Bob Bingham as Caiaphas. Dennen and Elliman played the roles that they had sung on the album. Paul Ainsley was Herod.[ commendation needed ] Carl Anderson replaced Vereen when he fell ill, and the 2 performers later took turns playing the role. The show airtight on 30 June 1973 after 711 performances. The product received mixed reviews; the bold casting of African-Americans as Judas was lauded, merely reviewer Clive Barnes from The New York Times said, "the real disappointment was not in the music ... but in the conception."[6] [7] The bear witness was nominated for five Tony Awards, including Best Score, just won none. Lloyd Webber won a Drama Desk Award equally "Most Promising Composer", and Vereen won a Theatre World Award.
Controversy [edit]
The Broadway evidence and subsequent productions have been condemned by a few religious groups. Tim Rice was quoted as saying "It happens that we don't see Christ every bit God just simply the right man at the correct time at the right identify."[8] [nine] Some Christians considered such comments to exist cursing, the character of Judas besides sympathetic and some of his criticisms of Jesus offensive.[10] The musical'south lack of allusion to the resurrection of Jesus has resulted in criticism similar to that of fellow musical Godspell, which also did non clearly draw the resurrection.
At the same fourth dimension, some Jews claimed that it bolstered the antisemitic belief that the Jews were responsible for Jesus's decease by showing most of the villains equally Jewish (Caiaphas and the other priests, Herod) and showing the crowd in Jerusalem calling for the crucifixion.[eleven] [12] The musical was also banned in Due south Africa for existence "irreligious".[xiii] A 1972 production of the rock opera was banned in the Hungarian People's Republic for "distribution of religious propaganda".[14]
Other 1970s and 1980s productions [edit]
Paul Nicholas in Jesus Christ Superstar
Superstar opened at the Palace Theatre in London in 1972, starring Paul Nicholas as Jesus, Stephen Tate as Judas and Dana Gillespie every bit Mary Magdalene. It was directed by Australian Jim Sharman. This product was much more successful than the original product on Broadway, running for eight years and becoming the Uk'due south longest-running musical at the time. Dmitri Shostakovich attended this product in London but before his death. He regretted that he could not have composed something like information technology; he lauded especially a rock ring underpinning full symphonic strings, brass and woodwind.[15]
One of the earliest foreign productions was a 5-24-hour interval run in Sweden at Scandinavium in Gothenburg, opening on eighteen February 1972 and playing to 74,000 people (a record at the time). Starring every bit Mary Magdalene was Agnetha Fältskog. On 16 March 1972 an oratorio version was performed at Memorial Drive Park in Adelaide, South Australia as part of the Adelaide Festival of the Arts.[16] This was followed in May by the first full Australian product, at the Capitol Theatre, Sydney, afterward moving to the Palais Theatre in Melbourne.[17] Sharman again directed, and the bandage included Trevor White as Jesus, Jon English as Judas, and Michele Fawdon (1972–1973) and Marcia Hines (1973–1974) as Mary Magdalene. Hines was the first black woman to play the role. Other cast members included Reg Livermore, John Paul Immature, Stevie Wright and Rory O'Donoghue every bit well as Graham Russell and Russell Hitchcock who met during the production and subsequently formed the ring Air Supply. The production ran until February 1974.[ citation needed ] In June 1972 the prove opened in Belgrade, Yugoslavia, in Atelje 212 theatre, in adaptation past Jovan Ćirilov.[18] The function of Jesus Christ was played by Korni Grupa vocalist Zlatko Pejaković, the part of Mary Magdalene by Azra Halinović and the role of Pontius Pilate by Branko Milićević.[18] The premiere was directly broadcast past Radio Television of Belgrade.[18] Bora Đorđević and Srđan Marjanović, at the time trivial known musicians, likewise participated equally members of the choir.[19] [20] The production was praised past the Yugoslav public.[18]
In 1973, the evidence opened in Paris at the Théâtre de Chaillot in a French adaptation by Pierre Delanoë. The title role was sung by Daniel Beretta, and Mary Magdalena was Anne-Marie David. The critics were unimpressed, and the product stopped afterwards 30 performances.[ citation needed ] In the aforementioned year, Noel Pearson produced the show at the Gaiety Theatre, Dublin, Democracy of Ireland, with Luke Kelly giving a critically acclaimed performance as King Herod.[21] In 1974, first Spanish-language production ran in Mexico with the championship "Jesucristo Super Estrella". Julissa played Mary Magdalen. 1 year later, the musical was released for the second fourth dimension in a Spanish-speaking land. Information technology was released in Spain under the title "Jesucristo Superstar" and directed by the Spanish vocalist and songwriter Camilo Sesto, who also played the title role of Jesus Christ. The musical was seen in 1974 in Peru and Singapore.[22]
Robert Stigwood launched two route touring companies in 1971 to encompass N America, with Robert Corff and Tom Westerman equally Jesus, respectively.[ citation needed ] The first major U.s. National Tour, however began In 1976, managed by Laura Shapiro Kramer. The tour continued until 1980. In 1977, the show had its first Broadway revival, running from 23 November 1977 to 12 Feb 1978. It was directed by William Daniel Greyness, with choreography by Kelly Carrol and starred William Daniel Grey as Jesus, Patrick Jude as Judas, and Barbara Niles as Mary Magdalene.[23] Regional productions followed.[ citation needed ]
In 1981, Emilio de Soto directed an English-language version in Venezuela, with 163 actors.[ commendation needed ] From 1982 to 1984, an Australian production toured Australia and South-East asia, directed by Trevor White, who as well reprised his role of Jesus. The cast included Doug Parkinson equally Judas and Marcia Hines (reprising her role as Mary Magdalene).[ citation needed ]
1990s and 2000s [edit]
The N American touring revival of Superstar in 1992 starred Neeley and Anderson reprising their respective Broadway and 1973 pic roles as Jesus and Judas, receiving positive reviews for their performances. This product besides starred both Dennis DeYoung as Pilate, and Syreeta and Irene Cara sharing Mary Magdalene. Originally expected to run for three to iv months, the tour concluded upwardly running for five years. Original cast replacements to this bout included Christine Rea as Mary Magdalene, Jason Raize as Pontius Pilate and Simone as the Maid past the Burn and understudy for Mary. In 1994, a New Zealand production starred Darryl Lovegrove equally Jesus, Jay Laga'aia as Judas and Frankie Stevens as Caiaphas. Too in 1994, a stage version titled Jesus Christ Superstar: A Resurrection was performed in Atlanta, Austin and Seattle featuring Amy Ray and Emily Saliers of the Indigo Girls as Jesus and Mary Magdalene respectively, and Michael Lorant as Judas.
In 1996, the musical was revived in London at the Lyceum Theatre and ran for a twelvemonth and a half. Directed past Gale Edwards, it starred Steve Balsamo and Zubin Varla every bit Jesus and Judas, and Joanna Ampil as Mary Magdalene. Alice Cooper sang the part of King Herod on the cast recording, simply did not play the function on stage. The production was nominated for an Olivier Award for Best Musical Revival but did non win. It was followed by a UK tour. This production was revived on Broadway at the Ford Center for the Performing Arts in 2000, starring Glenn Carter as Jesus and Tony Vincent as Judas. It opened to mixed reviews and ran for 161 performances.[24] Information technology was nominated for a Tony Award for Best Revival of a Musical but did non win. In 2002, a national tour starred Sebastian Bach as Jesus and Anderson one time once again as Judas. Bach received mixed reviews while Anderson was again praised. In April 2003, Bach was replaced by Eric Kunze. Anderson left the show later in 2003 after being diagnosed with leukaemia and died in 2004. The tour closed shortly after Anderson'due south departure.
In 2004 a yr-long Britain tour began, directed past Bob Tomson and Bill Kenwright. Carter reprised his role as Jesus, with James Play a trick on as Judas. In 2005, a successful Scandinavian tour starred Australian Peter Murphy (Jesus), American Kristen Cummings (Mary), Englishman Jon Boydon née Stokes (Judas), Frenchman Jérôme Pradon (Rex Herod) and Australian Michael-John Hurney (Pilate). A The states tour starring Neeley, reprising his office as Jesus, Corey Glover as Judas, and Christine Rea as Mary, began in 2006 and played for five years. A Chilean heavy metal version has played annually in Santiago since 2004.[25] In Boston, Gary Cherone portrayed Jesus in productions in 1994, 1996 and 2003 and Judas in 2000.
2010s and 2020s [edit]
A new production of Jesus Christ Superstar was mounted at the Stratford Shakespeare Festival, in Stratford, Ontario, in 2011. Directed by Des McAnuff, the cast starred Paul Nolan as Jesus, Josh Young as Judas, Brent Carver as Pilate, Chilina Kennedy as Mary Magdalene, Bruce Dow as Herod and Melissa O'Neil as Martha. This moved to La Jolla Playhouse later in the twelvemonth and transferred to the Neil Simon Theatre on Broadway in 2012, with Tom Hewitt taking over the office of Pilate.[26] Reviews were mixed.[27] [28] The revival was nominated for two Tonys: Best Revival and, for Immature, Best Actor.[29] Neither award was won, merely Young won a Theatre Globe Accolade. The revival closed subsequently 116 performances and 24 previews.[30]
Through a 2012 ITV contest TV bear witness called Superstar, produced by Andrew Lloyd Webber, the U.k. public chose Ben Forster for the role of Jesus in an arena tour of the musical, first at O2 in September 2012.[31] [3] The production also starred Tim Minchin as Judas, Melanie C as Mary Magdalene and Chris Moyles every bit King Herod.[32] Lloyd Webber stated, "The funny thing is that Jesus Christ Superstar [equally a rock concert] is what we actually intended it to exist. When it is washed in a conventional proscenium theatre production information technology feels shoe-horned in. That is why I wanted to do this."[three] The bout resumed in March 2013 in the Britain, and an Australian leg of the tour commenced in Perth in May 2013.[33] Andrew O'Keefe played Rex Herod in Australia, with Jon Stevens as Pilate. Stevens had played Judas in an Australian loonshit tour in 1992.[34] [35]
In 2016, jubilant 45 years since the musical debuted on Broadway, Jesus Christ Superstar returned to London at Regent'south Park Open Air Theatre from 15 July to 27 August, directed by Timothy Sheader. The production won the BBC Radio ii Audition Award for All-time Musical at the Evening Standard Theatre Awards,[36] and a Laurence Olivier Laurels for Best Musical Revival.[37] The production returned to the Open up Air Theatre as part of the 2017 season, running from 11 August 2017 to 23 September.[38] Additionally, the Lyric Opera of Chicago hosted a run of the product from late April 2018 to belatedly May 2018.[39] earlier returning to London at the Barbican Center from 9 July to 24 Baronial 2019 prior to a 50th anniversary US bout from Oct 2019.[40] Withal, due to the COVID-xix pandemic, the United states of america tour was temporarily suspended in March 2020. The production returned to Regent'south Park Open Air Theatre in a socially distanced surroundings in a concert staging from 14 Baronial to 27 September 2020.[41] The US tour resumed performances on 28 September 2021 at the Keller Auditorium.
On Nov 23, 2021, James D. Beeks, who played Judas in the tour, was arrested for involvement in the 2021 The states Capitol attack. Beeks, performing in the show under the stage name James T. Justis, is declared to accept been ane of those who forced entry into the capitol and to take paid ante to the far right-fly anti-government militia Oath Keepers.[42] Beeks was immediately suspended from the touring production with the role of Judas assumed by another performer in the cast.[43] On December 2, 2021; Tyrone Huntley, who played Judas in the 2016 London product was announced to accept replaced Beeks.[44]
In 2017, a production featuring an all-Black bandage was directed past Ron Kellum at the Paramount Theatre in Aurora, IL. Kellum's production ran from April xix, 2017, through May 28, 2017.[45] [46]
Notable international productions [edit]
2013 production in Rotterdam, Netherlands
Two notable Jesuses were Takeshi Kaga, in the 1976 Japanese production, and Camilo Sesto in the 1975 Spanish production.[ why? ] Mary Magdalene was played by Rocío Banquells in a 1981 production in Mexico. A Czech version premiered in 1994 in Prague's Spirála Theatre and ran until 1998, with 1288 performances.[47] In the 2000s, a Venezuelan product ran for ii years (2006–2008), directed past Michel Hausmann. A Spanish product produced by Phase Amusement ran from 2007 to 2009, followed by long-running productions in Italy and Sweden (featuring Ola Salo) and Kingdom of norway.
Concerts of the evidence have been mounted in Vienna, Austria, since 1981, including one on Easter of 2015 starring Drew Sarich in the title role.[48]
In 2010, an Australian production presented past Harvest Rain Theatre Company was directed by Tim O'Connor. Luke Kennedy appeared equally Jesus, Naomi Cost as Mary, Tod Strike as Judas, and Steven Tandy as Herod. A 2017 Professional Australian Production was staged at the Arts Center Melbourne and starred Rob Mills every bit Jesus.
A 2014 production in São Paulo, Brazil starred Igor Rickli as Jesus. Negra Li was Mary Magdalene.[49] A 2014 production in Lima, Peru, at the Sarita Colonia prison, every bit part of a rehabilitation program for inmates, received some press.[fifty] Eighty prisoners mounted the product, directed by inmate Freddy Battifora, who besides played the function of Jesus.[51] The Cosmic Church canonical of the production.[51]
In 2018, a new product, directed past Michael Hunt was premiered at the Perm Academic Theatre, Russia. Hunt worked closely with The Actually Useful Grouping on a new translation together with the concept for a new staging. This rock opera is very popular in Russia but is the first authorised production to receive the support of the Actually Useful Group.
Recordings and radio broadcasts [edit]
The original 1970 concept album was very pop; its 1971 release topped the US Billboard Pop Albums.[52] The 1972 and 1992 Australian cast recordings were also both highly successful.[53]
In 1994, a studio recording nether the proper name of Jesus Christ Superstar: A Resurrection was released.
A 1996 radio production for BBC Radio 2 starred Tony Hadley as Jesus, Roger Daltrey as Judas, Frances Ruffelle as Mary Magdalene and Julian Clary equally King Herod; this production was re-broadcast on BBC Radio iv Extra on 6 August 2016.[54]
In May 2018, Aztec Records released a 1973 live recording of the Australian product; previous recordings of that production were released every bit "bootleg" copies.[55]
Adaptations [edit]
Films [edit]
A film adaptation of Jesus Christ Superstar was released in 1973. The film, directed by Norman Jewison, was shot in Israel[56] and other Middle Eastern locations. Ted Neeley, Carl Anderson and Yvonne Elliman were each nominated for a Golden Globe Award for their portrayals of Jesus, Judas and Mary Magdalene, respectively. Bob Bingham (Caiaphas) and Barry Dennen (Pilate) also reprised their roles. A new song, chosen "Then Nosotros Are Decided" and phrased as a dialogue between Caiaphas and Annas, was written for this adaptation.
A second adaptation was filmed in 1999, and released around the world on video in 2000 and 2001.[57] It starred Glenn Carter every bit Jesus, Jérôme Pradon every bit Judas, Reneé Castle as Mary Magdalene, and Rik Mayall equally Herod, and was directed by Gale Edwards and Nick Morris. It was released on video in the UK in October 2000.[58] In the U.S. information technology was released on VHS and DVD in March 2001, and aired on PBS's Great Performances series in April 2001.[59] Information technology won the International Emmy Accolade for Best Performing Arts Film in Nov 2001.[60] The way of the film is more than similar the stage version than the location-based 1973 adaptation, and information technology used many of the ideas from the 1996–1999 UK product.[57]
Tv [edit]
On Easter Sunday, 1 April 2018, NBC aired a live concert version of the evidence featuring John Legend equally Jesus, Sara Bareilles as Mary Magdalene, Brandon Victor Dixon as Judas, Alice Cooper as King Herod, Norm Lewis every bit Caiaphas, Ben Daniels as Pilate, Jin Ha every bit Annas, Erik Grönwall as Simon Zealotes and Jason Tam as Peter.[61]
Principal roles and casting history [edit]
| Character | Concept Album (1970) [62] | Broadway (1971) [63] | Due west End (1972) [64] | Broadway Revival (1977) [65] | Due west Finish Revival (1996) [66] | Broadway Revival (2000) [67] | Broadway Revival (2012) [68] | U.k. Arena Bout (2012) [69] | The states Tour (2019) [lxx] |
|---|---|---|---|---|---|---|---|---|---|
| Jesus Christ | Ian Gillan | Jeff Fenholt | Paul Nicholas | William Daniel Grey | Steve Balsamo | Glenn Carter | Paul Nolan | Ben Forster | Aaron LaVigne |
| Judas Iscariot | Murray Head | Ben Vereen | Stephen Tate | Patrick Jude | Zubin Varla | Tony Vincent | Josh Young | Tim Minchin | James Delisco Beeks |
| Mary Magdalene | | Dana Gillespie | Barbara Niles | Joanna Ampil | Maya Days | Chilina Kennedy | Melanie C | Jenna Rubaii | |
| Caiaphas | Victor Brox | Bob Bingham | George Harris | Christopher Cable | Pete Gallagher | Frederick B. Owens | Marcus Nance | Pete Gallagher | Alvin Crawford |
| Pontius Pilate | | John Parker | Randy Wilson | David Burt | Kevin Gray | Tom Hewitt | Alexander Hanson | Tommy Sherlock | |
| Annas | Brian Keith | Phil Jethro | Jimmy Cassidy | Steve Schochet | Martin Callaghan | Ray Walker | Aaron Walpole | Gerard Bentall | Tyce Greenish |
| Simon Zealotes | John Gustafson | Dennis Buckley | Derek James | Bobby London | Glenn Carter | Michael K. Lee | Lee Siegel | Giovanni Spano | Eric A. Lewis |
| Peter | Paul Davis | Michael Jason | Richard Barnes | Randy Martin | Jonathan Hart | Rodney Hicks | Mike Nadajewski | Michael Pickering | Tommy McDowell |
| King Herod | Mike d'Abo | Paul Ainsley | Paul Jabara | Mark Syers | Nick Holder (Alice Cooper in cast recording) | Paul Kandel | Bruce Dow | Chris Moyles | Paul Louis Lessard |
Awards and nominations [edit]
Original Broadway production [edit]
| Year | Honour ceremony | Category | Nominee | Event |
|---|---|---|---|---|
| 1972 | Tony Award | Best Operation by a Featured Actor in a Musical | Ben Vereen | Nominated |
| All-time Original Score | Andrew Lloyd Webber and Tim Rice | Nominated | ||
| Best Breathtaking Design | Robin Wagner | Nominated | ||
| All-time Costume Design | Randy Barceló | Nominated | ||
| Best Lighting Design | Jules Fisher | Nominated | ||
| Drama Desk-bound Award | Most Promising Composer | Andrew Lloyd Webber | Won | |
| Theatre World Honor | Ben Vereen | Won | ||
1996 West End revival [edit]
| Year | Award anniversary | Category | Nominee | Event |
|---|---|---|---|---|
| 1997 | Laurence Olivier Laurels | All-time Musical Revival | Nominated | |
2000 Broadway revival [edit]
| Year | Award ceremony | Category | Nominee | Result |
|---|---|---|---|---|
| 2000 | Tony Award | All-time Revival of a Musical | Nominated | |
2012 Broadway revival [edit]
| Year | Award ceremony | Category | Nominee | Event |
|---|---|---|---|---|
| 2012 | Tony Award | Best Revival of a Musical | Nominated | |
| Best Performance by a Featured Actor in a Musical | Josh Young | Nominated | ||
| Drama Desk Award | Outstanding Revival of a Musical | Nominated | ||
| Outstanding Sound Pattern | Steve Canyon Kennedy | Nominated | ||
| Theatre Globe Honor | Josh Young | Won | ||
2016 Regent'southward Park Open Air Theatre revival [edit]
| Year | Award ceremony | Category | Nominee | Outcome |
|---|---|---|---|---|
| 2016 | Evening Standard Theatre Laurels[36] | Best Musical | Won | |
| Emerging Talent | Tyrone Huntley | Won | ||
| 2017 | Laurence Olivier Honor[71] | Best Musical Revival | Won | |
| All-time Actor in a Musical | Tyrone Huntley | Nominated | ||
| Best Theatre Choreographer | Drew McOnie | Nominated | ||
| Best Lighting Pattern | Lee Curran | Nominated | ||
| Best Audio Design | Nick Lidster for Autograph | Nominated | ||
| Outstanding Achievement in Music | The ring and company | Nominated | ||
Notes [edit]
Explanatory notes [edit]
- ^ In the Broadway product, a stanza is added where Pilate admonishes the oversupply for their sudden respect for Caesar, as well as for how they "produce Messiahs by the sackful"; this was kept for the film and subsequent productions.
Citations [edit]
- ^ "London's Longest-Running Musical To Shut". The Indianapolis Star. twenty August 1980. p. 25. Retrieved 8 June 2020.
- ^ Sternfeld, Jessica (2006). The Megamusical. Indiana University Press. p. 169. ISBN978-0-253-34793-0.
- ^ a b c Theatre Features. "Andrew Lloyd Webber interview: the second coming of Jesus Christ Superstar". Telegraph. Archived from the original on 11 January 2022. Retrieved 21 Nov 2013.
- ^ Amusement Weekly, 19 July 1996
- ^ Taylor, Robert (fifteen August 1971). "Chasing Rock Opera Pirates". Oakland Tribune. p. 117.
- ^ "The 'Splainer: The stormy, surprising history of 'Jesus Christ Superstar' - Religion News ServiceReligion News Service". Religionnews.com. 29 March 2018. Retrieved five April 2018.
- ^ "TimesMachine: Theater: Christ'due south Passion Transported to the Phase in Guise of Serious Pop; ' Jesus Christ Superstar' Billed as Rock Opera Music'southward Vitality Asset to O'Horgan Piece of work - NYTimes.com". Timesmachine.nytimes.com. Retrieved 5 April 2018.
- ^ Fourth dimension magazine', nine Nov 1970. Rice went on to say "we are basically trying to tell the story of Christ as a man. I think he increases in stature by looking at him as a man."
- ^ Life magazine, 28 May 1971
- ^ "Gratis Presbyterian Church – Online Pamphlet". Freepres.org. Archived from the original on 13 Apr 2014.
- ^ Superstar Film Renews Disputes: Jewish Groups Say Opening Could Stir Anti-Semitism Reasons Given Company Issues Statement, The New York Times
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Further reading [edit]
- Ellis Nassour, Richard Broderick. Stone Opera: The Creation of Jesus Christ Superstar, from Record Anthology to Broadway Testify and Motion Picture. Hawthorn Books, 1973.
- Robert Grand. Price. Jesus Christ Superstar: The Making of a Modern Gospel. eBookIt. 2011.
External links [edit]
- Jesus Christ Superstar, official website
- Jesus Christ Superstar at the Internet Broadway Database
- Review on "Cool Album of the Day" of original London bandage recording
- Original anthology cover artwork by Ernie Cefalu
- Largest online customs for Jesus Christ Superstar JesusChristSuperstarZone.com
- Jesus Christ Superstar, Andrew Lloyd Webber site
- Jesus Christ Superstar, timrice.co.uk
- Lyrics
- Jesus Christ Superstar at Playbill Vault:
- 1971 – Original production
- 1977 – First revival
- 2000 – Second revival
- 2012 – Tertiary revival
- "Jesus Christ Superstar, orchestral score". Victoria and Albert Museum. Archived from the original on 12 April 2011. Retrieved 24 March 2011.
- Jesusmania!The Homemade Superstar of Gettysburg College, most an illicit amateur production staged in March 1971
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